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He was always "among the most widely read and imitated of Latin poets.
The majority of Latin works have been lost, with very few texts rediscovered after the Dark Ages and preserved to the present day.
The Metamorphoses remains one of the most important sources of classical mythology.
Ovid talks more about his own life than most other Roman poets.
Ovid seems to be very desperate - as shown by quickly making his move.
The reader is left unsure whether his advances were truly accepted or whether Ovid (chooses to? 3.3 3.4 - Ovid tries to persuade a man to let him have sex with his wife.
It has been argued that she is a poetic construct copying the puella-archetype from other works in the love elegy genre.
Amores I.1 begins with the same word as the Aeneid, "Arma" (an intentional comparison to the epic genre, which Ovid later mocks), as the poet describes his original intention: to write an epic poem in dactylic hexameter, "with material suiting the meter" (line 2), that is, war.
The book follows the popular model of the erotic elegy, as made famous by figures such as Tibullus or Propertius, but is often subversive and humorous with these tropes, exaggerating common motifs and devices to the point of absurdity.
While several literary scholars have called the Amores a major contribution to Latin love elegy, Speculations as to Corinna's real identity are many, if indeed she lived at all.
The plot is linear, with a few artistic digressions such as an elegy on the death of Tibullus.
3.1 3.2 - Ovid woos a girl at the races, despite perhaps only just having met her.